So, with one sliding door at 6.38mm lam and the other at 10.38 lam, if I had 100mm between the glazing, I'd still have both door frames connected to the same single wall. Is it possible, or even worth the trouble, to attempt to decouple the second sliding door by inserting a rubber barrier strip all the way around (including under) it? Obviously needs to be high density rubber, but it should still stop vibration passing from one door system from the other, no? Is silicone the way to attach the rubber to the wooden frames around the "decoupled" sliding door?
Any thoughts would be appreciated.
2 x glass sliding door within one single wall...
- Starlight
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2 x glass sliding door within one single wall...
Hello Joe, is this for your 7th floor studio with the floating floor? That is how I remember who you are.
Excuse my ignorance but I have no idea what a lam is. Could you enlighten me, please?killerjoe wrote:Source of the post... 6.38mm lam ... 10.38 lam ...
I have come across studio designers such as Rod Gervais who say that the integral strength of a single, wide frame holding two doors outweighs the acoustic benefit of having two separate frames. I have also come across designers such as John H. Brandt who argue exactly the opposite. It seems that you need to know which design criteria you are following and whether that focuses more on one aspect versus another in your build.killerjoe wrote:Source of the postI'd still have both door frames connected to the same single wall. Is it possible, or even worth the trouble, to attempt to decouple the second sliding door ...
High rubber is likely to be too stiff and neither isolate nor dampen sound from one side getting to the other side. Sorbothane and Regupol would be the kind of companies whose products are worth looking at as they are tested in acoustic environments and so are known, trusted solutions.killerjoe wrote:Source of the postObviously needs to be high density rubber, but it should still stop vibration passing from one door system from the other, no?
I have no idea about how effective, acoustically speaking, silicon is. From my experience I would use acoustic caulk instead of silicon.killerjoe wrote:Source of the postIs silicone the way to attach the rubber to the wooden frames around the "decoupled" sliding door?
- Soundman2020
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2 x glass sliding door within one single wall...
Starlight is spot-on with all of his comments. I would only add the following extra detail.
Using rubber all around your frames will not completely decouple, but will certain do something to help.... provided that it is the right rubber!
Also, you need to use rubber sleeves and washers around the screws/bolts/nails that you use to hold the window in place, such that they do not touch the window frame itself: There can be no hard contact between the window frame and the surround that is attached to: that would just "short circuit" the rubber entirely.
- Stuart -
Like Starlight, I'm confused here: Maybe you are talking about 6.38 mm laminated glass, and 10.38mm laminated glass? Those are not standard metric thickness, but they are not imperial either... 6.35mm is 1/4", so that sort of makes makes sense. 10.38 is sort-of-kind-of close to 7/16".6.38mm lam ... 10.38 lam
As Starlight pointed out, there are differences in approach. For highest possible isolation, there is no doubt that full decoupling is necessary, and there are framing techniques for dealing with the structural issues. If you don't need maximum isolation, then you can have coupled frames, as long as you understand that your isolation won't be as good as it could have been. However, it will still be better than nothing! That's the deal here: If you need an increase in isolation, then two leaves will usually be better than one, so you will get an improvement. And if you need max isolation, then fully decoupling the framing will get you an additional improvement.Source of the postI'd still have both door frames connected to the same single wall. Is it possible, or even worth the trouble, to attempt to decouple the second sliding door ...
Using rubber all around your frames will not completely decouple, but will certain do something to help.... provided that it is the right rubber!
Once again, Starlight is totally correct. High density rubber would not be the right choice. In fact, you should choose the type of rubber that does the job correctly. That will be a softer rubber, such as the ones Starlight mentioned, but even then you should do the math to find out how thick to make it, and the exact "softness" you need. When it is all installed, the rubber should be compressed between about 15% and 25%. depending on the rubber. 20% is a good ball-park estimate, but you do need to check the manufacturer's specs to find out the optimum compression (more correctly called "deflection", since you can't actually compress rubber...). Then you need to figure out how heavy the window is, and use that to decide what rating of rubber you would need that would deflect by the right amount when it has the weight of your window on it. That's the general principle. It's not hard to figure out, by you do need to be careful: If you calculate wrong, then the rubber will either be squashed too much, so it won't decouple, or it won't deflect enough, and it won't decouple.Obviously needs to be high density rubber, but it should still stop vibration passing from one door system from the other, no?
Also, you need to use rubber sleeves and washers around the screws/bolts/nails that you use to hold the window in place, such that they do not touch the window frame itself: There can be no hard contact between the window frame and the surround that is attached to: that would just "short circuit" the rubber entirely.
Depends on the rubber! Some adhesives will attack and damage some types of rubber, other adhesives just won't stick at all. Check with the manufacturer of the rubber, to find out which adhesives you can and cannot use. But you probably won't actually need adhesives, if the mounting surfaces are clean, smooth, and flat. The rubber itself should be fine, since it will be held in place with the fasteners that you use (screws, bolts, or nails). Sorbothane in particular is sort of slightly "sticky" to the touch, and seals well to most surfaces.Is silicone the way to attach the rubber to the wooden frames around the "decoupled" sliding door?
- Stuart -
2 x glass sliding door within one single wall...
Starlight wrote:Source of the post Hello Joe, is this for your 7th floor studio with the floating floor? That is how I remember who you are.Excuse my ignorance but I have no idea what a lam is. Could you enlighten me, please?killerjoe wrote:Source of the post... 6.38mm lam ... 10.38 lam ...I have come across studio designers such as Rod Gervais who say that the integral strength of a single, wide frame holding two doors outweighs the acoustic benefit of having two separate frames. I have also come across designers such as John H. Brandt who argue exactly the opposite. It seems that you need to know which design criteria you are following and whether that focuses more on one aspect versus another in your build.killerjoe wrote:Source of the postI'd still have both door frames connected to the same single wall. Is it possible, or even worth the trouble, to attempt to decouple the second sliding door ...High rubber is likely to be too stiff and neither isolate nor dampen sound from one side getting to the other side. Sorbothane and Regupol would be the kind of companies whose products are worth looking at as they are tested in acoustic environments and so are known, trusted solutions.killerjoe wrote:Source of the postObviously needs to be high density rubber, but it should still stop vibration passing from one door system from the other, no?I have no idea about how effective, acoustically speaking, silicon is. From my experience I would use acoustic caulk instead of silicon.killerjoe wrote:Source of the postIs silicone the way to attach the rubber to the wooden frames around the "decoupled" sliding door?
Hi SL, nah, this is about a room in my apartment I wish to use as a home studio in addition to my main studio. It's to minimise traffic noise.
Also, there is a party wall in the same room to the adjoining apartment where I can hear neighbours talking (even snoring). Hoping to put up a resilient mounted wall there to help attenuate some sound through the wall (just stopping the voices would be great). I don't intend to monitor very loudly in that room, possibly less than 83 dB. I wonder if its worth decoupling just the party wall when there will still be some flanking through the other walls and ceiling, floor etc... When i put my ear to the party wall, and then to the other wall, the other wall seems around only 25% of the volume of the main wall.
As for the decoupling of the floor to ceiling window "wall", the centre panel would need to be a sliding door, so be subject to a lot of movement. It might be too tricky to work out a way to get a soft(ish) rubber surround all away around the frame. Also (as Soundman suggests), the rubber sleeves and washers for the screws required may be hard to get right. In any case, it may be a lot of extra trouble for a negligible improvement, otherwise the companies that install secondary glazing in houses would routinely install in this manner (they don't)...
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