New UK Studio Build
Posted: Mon, 2024-Jan-08, 17:58
Greetings all and best wishes for the new year.
First post here for me, though I have spent many years dreamily reading posts and gazing at pictures at the late great John L Sayer’s forum and here at Suart’s wonderful forum, I’ve also enjoyed Rod Gervais’ book. Whilst there’s more information here than I could digest in a lifetime, I have tried to develop an understanding of the principles behind studio design before embarking on this project.
About me:
I have been writing, recording, playing etc for over 20 years. I currently have a mix space in our converted loft in which I can also track vocals, however in recent years this has doubled as an office and dumping ground. We moved to our current property around 9 years ago where part of the appeal was the long garden, the bottom of which I had earmarked for a studio immediately. Originally a joiner by trade, I now run a (very) small drafting and project management business. We mainly work with joinery fit out, timber facades, external windows & doors and third party certified bespoke fire door design. As a result I will be undertaking all of the design work and most of the construction, with concrete, electrical and probably HVAC (at least hook up) falling to contractors.
I have tried to outline the main requirements below, though I tend to garble, so apologies in advance:
Isolation:
I measured 45dB outside on a January Saturday afternoon, the band I’m currently in plays at around 110dB and the studio will be located 17 metres from the nearest property. If my maths is correct; the 17 metres gives me -24dB so I require an absolute minimum of -41dB from the wall construction (at the low end of the frequency spectrum!) and preferably more.
The space:
We need a space big enough to rehearse in and record a 5-6 piece rock band with some flexibility around how the space can be used. With that I have opted for one main control/live room at 33.4 square metres and a separate lobby area with some storage, access to ERV (proposed above FCL), consumer unit and to double as a vocal booth/amp locker as required at 3.3 square metres. I’m also keen to avoid entering straight into the control room from the outside.
Thermal and fire performance:
Here in the UK, legislation is such that: Building Regs kick in for an outbuilding once the floor area is over 30 square metres and planning consent is required over 2.5 metres high (in my case). Building regs call for “substantially non combustible construction” which means very little as an isolated statement, but in reality, I’m informed it means Class B or better cladding/exterior finishing and 30 minutes compartmentation with either inside or out considered as the risk side. In masonry construction this is a given and in timber frame, double drywall inside, cement board sheathing to the outer face and steel or cement composite cladding will achieve the required fire performance. Thermally; Walls must achieve 0.18 W/m2K, Floors 0.13 W/m2K and the roof 0.15 W/m2K.
Construction:
I am a bit undecided as to whether to adopt masonry or timber frame construction.
Masonry construction in the UK requires weep vents at the base of the exterior walls and above windows and doors, which obviously means the outer leaf will not be airtight, but I am unable to quantify the loss in isolation so if anyone can advise I’d be very appreciative. I am also about to engage with building control, to whom I will pose the question about fully sealed cavities (it’s my understanding the main issue is with vapour ingress from the warm side, so an internal liquid applied VCL would probably mitigate the issue). The results from Rockwool’s acoustic calculator look quite promising and I gather this would give me better low frequency isolation than timber construction given the mass of the assembly.
Proposed masonry option:
100mm block - 170 to 200mm fully filled cavity (depending on insulation spec) - 100mm block construction
Timber construction is nice and easy, very quick and slightly lower cost, however there is one large span in the design which will require structural calcs. (I use Autocad and Inventor - Inventor’s stress analysis tools are very comprehensive so I have modelled the roof assembly and it satisfies L/500 with a 2 kN/msq roof load as drawn which is more than acceptable).
Proposed timber option (outside to inside):
36mm box profile steel cladding - 50mm battens/cavity - breather membrane - 12mm cement board (around 1230Kg/m3) - 18mm OSB - 6”x2” studs @ 600 centres with Knauf Frame Therm Roll 32 between studs - 40mm gap - 4”x2” studs @ 600 centres with Knauf Omnifit slab 35 between studs - vapour barrier - 15mm plasterboard - 15mm plasterboard taped and jointed (all sheet material layers fully caulked with offset joints)
The ceiling is a bit more tricky - what I’ve shown on the attached is essentially the timber wall construction on it’s side which forms a cold roof of sorts with an added leaf below forming the inner leaf of the structure. This needs comment from the building inspector; it may be simpler to go with a standard warm roof but this will lower our FCL (I have been advised by an architect friend to try and keep the external height to 3.1m or under for planning).
Footings and slab:
Pretty standard 100mm slab atop 150mm PIR insulation. For the foundation detail; strip footing (depth TBC, we're on sand so not particularly onerous) with block courses up to DPC then either timber frame atop or continuation of the block if we go for masonry construction.
Monitoring:
I use PMC result 6 monitors at present. I would like to soffit mount these either side of the window firing downwards slightly so that they are not obscured by my small monitors which will sit on the console.
HVAC:
I’m looking at a small Mitsubishi ERV for fresh air, ducted between the rooms, servicing access will be in the lobby ceiling, and mini split(s) in the main space for heating/cooling/latent. This system is by no means fully designed and is not my forte.
Budget:
Circa £25K to get the basic structure built with HVAC based on my costings + electrical, treatment and fitout (this is based on me doing the lion's share of the construction).
—
I’ve attached my work in progress drawings based on timber frame construction. Hopefully we’re on the right track but I’d be very grateful for some advice!
Essentially:
Is the layout the best use of the space, am I even in the ballpark?
Does my downward firing soffit mounted monitor scribble look workable or is this going to cause me some wild room issues?
Some advice on which construction to adopt to best suit my requirements would be appreciated as this is a first time ground up build for me. Also of anyone can recommend an acoustic wall tie I'd be grateful; the ancon ones look great but come in at about £9.75 each which is incredibly dear for a wall tie but then again, a studio with terrible bleed would be a complete folly!
https://www.ancon.co.uk/products/wall-t ... -wall-ties
And the main question: Am I even on the right track?!?!
Many thanks for such a wonderful forum, I want to get this project right from the first pen stroke (which I’ve probably already missed!) so any advice offered will be greatly appreciated!
Kind Regards
Tom
First post here for me, though I have spent many years dreamily reading posts and gazing at pictures at the late great John L Sayer’s forum and here at Suart’s wonderful forum, I’ve also enjoyed Rod Gervais’ book. Whilst there’s more information here than I could digest in a lifetime, I have tried to develop an understanding of the principles behind studio design before embarking on this project.
About me:
I have been writing, recording, playing etc for over 20 years. I currently have a mix space in our converted loft in which I can also track vocals, however in recent years this has doubled as an office and dumping ground. We moved to our current property around 9 years ago where part of the appeal was the long garden, the bottom of which I had earmarked for a studio immediately. Originally a joiner by trade, I now run a (very) small drafting and project management business. We mainly work with joinery fit out, timber facades, external windows & doors and third party certified bespoke fire door design. As a result I will be undertaking all of the design work and most of the construction, with concrete, electrical and probably HVAC (at least hook up) falling to contractors.
I have tried to outline the main requirements below, though I tend to garble, so apologies in advance:
Isolation:
I measured 45dB outside on a January Saturday afternoon, the band I’m currently in plays at around 110dB and the studio will be located 17 metres from the nearest property. If my maths is correct; the 17 metres gives me -24dB so I require an absolute minimum of -41dB from the wall construction (at the low end of the frequency spectrum!) and preferably more.
The space:
We need a space big enough to rehearse in and record a 5-6 piece rock band with some flexibility around how the space can be used. With that I have opted for one main control/live room at 33.4 square metres and a separate lobby area with some storage, access to ERV (proposed above FCL), consumer unit and to double as a vocal booth/amp locker as required at 3.3 square metres. I’m also keen to avoid entering straight into the control room from the outside.
Thermal and fire performance:
Here in the UK, legislation is such that: Building Regs kick in for an outbuilding once the floor area is over 30 square metres and planning consent is required over 2.5 metres high (in my case). Building regs call for “substantially non combustible construction” which means very little as an isolated statement, but in reality, I’m informed it means Class B or better cladding/exterior finishing and 30 minutes compartmentation with either inside or out considered as the risk side. In masonry construction this is a given and in timber frame, double drywall inside, cement board sheathing to the outer face and steel or cement composite cladding will achieve the required fire performance. Thermally; Walls must achieve 0.18 W/m2K, Floors 0.13 W/m2K and the roof 0.15 W/m2K.
Construction:
I am a bit undecided as to whether to adopt masonry or timber frame construction.
Masonry construction in the UK requires weep vents at the base of the exterior walls and above windows and doors, which obviously means the outer leaf will not be airtight, but I am unable to quantify the loss in isolation so if anyone can advise I’d be very appreciative. I am also about to engage with building control, to whom I will pose the question about fully sealed cavities (it’s my understanding the main issue is with vapour ingress from the warm side, so an internal liquid applied VCL would probably mitigate the issue). The results from Rockwool’s acoustic calculator look quite promising and I gather this would give me better low frequency isolation than timber construction given the mass of the assembly.
Proposed masonry option:
100mm block - 170 to 200mm fully filled cavity (depending on insulation spec) - 100mm block construction
Timber construction is nice and easy, very quick and slightly lower cost, however there is one large span in the design which will require structural calcs. (I use Autocad and Inventor - Inventor’s stress analysis tools are very comprehensive so I have modelled the roof assembly and it satisfies L/500 with a 2 kN/msq roof load as drawn which is more than acceptable).
Proposed timber option (outside to inside):
36mm box profile steel cladding - 50mm battens/cavity - breather membrane - 12mm cement board (around 1230Kg/m3) - 18mm OSB - 6”x2” studs @ 600 centres with Knauf Frame Therm Roll 32 between studs - 40mm gap - 4”x2” studs @ 600 centres with Knauf Omnifit slab 35 between studs - vapour barrier - 15mm plasterboard - 15mm plasterboard taped and jointed (all sheet material layers fully caulked with offset joints)
The ceiling is a bit more tricky - what I’ve shown on the attached is essentially the timber wall construction on it’s side which forms a cold roof of sorts with an added leaf below forming the inner leaf of the structure. This needs comment from the building inspector; it may be simpler to go with a standard warm roof but this will lower our FCL (I have been advised by an architect friend to try and keep the external height to 3.1m or under for planning).
Footings and slab:
Pretty standard 100mm slab atop 150mm PIR insulation. For the foundation detail; strip footing (depth TBC, we're on sand so not particularly onerous) with block courses up to DPC then either timber frame atop or continuation of the block if we go for masonry construction.
Monitoring:
I use PMC result 6 monitors at present. I would like to soffit mount these either side of the window firing downwards slightly so that they are not obscured by my small monitors which will sit on the console.
HVAC:
I’m looking at a small Mitsubishi ERV for fresh air, ducted between the rooms, servicing access will be in the lobby ceiling, and mini split(s) in the main space for heating/cooling/latent. This system is by no means fully designed and is not my forte.
Budget:
Circa £25K to get the basic structure built with HVAC based on my costings + electrical, treatment and fitout (this is based on me doing the lion's share of the construction).
—
I’ve attached my work in progress drawings based on timber frame construction. Hopefully we’re on the right track but I’d be very grateful for some advice!
Essentially:
Is the layout the best use of the space, am I even in the ballpark?
Does my downward firing soffit mounted monitor scribble look workable or is this going to cause me some wild room issues?
Some advice on which construction to adopt to best suit my requirements would be appreciated as this is a first time ground up build for me. Also of anyone can recommend an acoustic wall tie I'd be grateful; the ancon ones look great but come in at about £9.75 each which is incredibly dear for a wall tie but then again, a studio with terrible bleed would be a complete folly!
https://www.ancon.co.uk/products/wall-t ... -wall-ties
And the main question: Am I even on the right track?!?!
Many thanks for such a wonderful forum, I want to get this project right from the first pen stroke (which I’ve probably already missed!) so any advice offered will be greatly appreciated!
Kind Regards
Tom