This will be a long one – I first drafted this for a September post but
• keep getting distracted by doing the work ; and
• felt that there was not much earth shattering stuff to share – just stories of painstaking discipline, moments of frustration and precision in execution
So I’ll start from where I am now:
- • I’m just finishing up the dividing wall between my workshop and studio (this completes the outer wall) – using “yellow tongue” on part of the second layer, which is a flooring product used here extensively. It’s essentially particle board with a hard finish and a groove on the edge where a 12x5mm plastic insert sits to keep the joins in line. In this case, I sawed off the edges to remove the groove so that I could get a more efficient contact surface for sealant in the panel joins. I used the yellow tongue boards up to 2.4m off the floor to generate a harder surface than gyprock on the workshop side. No acoustic reason – just practicality. The surface density of this material is about 6% above the 16mm gyprock sheet I’m using on the outer wall (fyrchek) and I’ve used green glue in between the first layer of fyrchek and the yellowtongue.
- • Rechecked my isolation calculations and modified the inner wall construction for the CR – now 2 layers of 13mm Fyrchek (drywall). According to my calculations, this will be more than adequate for attenuating the maximum sound generation (85dB) to target levels. Once the LR is complete, I’ll assess whether any transmission from the LR is problematic with this density setting and if so, add a further layer before treating the room. The outer wall and LR wall specs are unchanged - 2 layers of 16mm fyrchek (or equivalent) with green glue between.
• Finished off all the wall framing for both the CR and LR, aside from the LR infill framing where the ceiling joist meet the walls and the framing around the last of the column incursions.
• Started hanging the 1st layer of fyrchek on the live room (before I changed execution strategy)
• Fixed the sway bracing solution above the outer wall that houses the doors
• Finished the double jamb for the CR door
• Constructed the 4 isolation boxes for the CR. I found it harder to get a good finish stapling the duct liner so have opted for using more of those plastic discs to hold the duct liner in place.
• Got my electrician to run the power/lights cabling and Ethernet cabling into the LR and started filling the penetrations with “Big Stretch”
• Completed the frame that supports the mounting for the outer silencers for the CR and mounted those units
• Finalised the plan for audio cabling between the two rooms.
Next steps
I’ve changed execution plans again – I’m now aiming to get the CR operational (not as a fully fledged CR yet, but as a functioning isolated room). That will allow me to set up my AdamA7x’s and do some REW room measurements plus set up my guitars - I reckon I’ve played amplified electric guitar no more than 40 hours over the past 3 years. At the same time, I’ll continue work to complete the LR. Such an approach suits multiple purposes – allows me some moments of sanity when I can play music without having to drag all my gear out of storage and set up/pack up AND gets much of my gear out of the house – happy wife, happy life .
So next steps are to:
- • Install the CR inner isolation boxes
• Install the ducting, filter and fan for the CR
• Build and hang the ceiling modules for the CR
• Hang the outer layer doors for both rooms and maybe the inner door for the CR;
• Put a temporary “fill” in the window space while I use the CR but am working on the LR; and
• Get my electrician back in for a “rough in” run of power to the CR
My plan says this all of the "next steps" get done by mid February, but all of my plans so far have been 50% (at least) too optimistic)